Thursday, 11 December 2014

Film Review: "Tim Burton" Edward scissorhands (1990)



Figure 1: Movie poster

This is definitely one of the most iconic and all time classic of the "Tim Burton" directed films. The film its self is an extremely well directed and executed fairy tale set in the 60's with an outcast falling in love with a beautiful lady just like many other fairy tales. Tim Burton adds his own twist on the incredibly over done fairy tale love stories by making it quirky with the lead role of Edward (Johnny Depp) humorous in an awkward way. The story unfolds as a stereo typical 60's american women discovers Edward up in the desolate castle on top of the mountain and decides to do the typical white american Christian thing to do and take him home and look after him.














Figure 2: Shot showing the matt painting of the castle behind the movie set

One of the key features that stands out whilst watching "Edward scissor hands" is the amazing detail in the visual effect. The production design for this film is simply spectacular from how they have included an extremely detailed matt painting in the background of a stereo typical 1960's suburban town, These two things are both extremely miss matched and contrasting yet during the film it looks like its real. Roger Ebert also agrees with the statement by commenting saying that "Burton uses special effects and visual tricks to create sights that have never been seen before" (R, Ebert, 1990) 

Edward Scissorhands

Figure 3: still shot of Edward

A lot of people are to believe that this is one of Tim Burton's best films and is the most unique to his style. There are many similarities between Edward and Tim Burton himself, there is allot of influence in the way the character of Edward interacts and looks different to normal society based on the creator of the film. Alan Jones comments on this saying "Humanoid Edward's inability to touch the things he loves because of his razor-sharp fingers makes for potent symbolism of the highest mythic order" (A, Jones 1990)



Figure 4: Still shot of Edward and his inventor

It is extremely clear that throughout this film Tim Burton has been heavily influenced in many film in the horror genre like "The Cabinet of Dr Caligari" and fairy tales like "La Belle et la Bete"The guardian comment on this statement by saying "Burton pulls inspiration from Chuck Jones cartoons as well as classic horror films" (Guardian 1990). Overall the film is well directed and produced with a brilliant production team to bring this fairy tale to life.


Illustration List

Figure 1: http://images.moviepostershop.com/edward-scissorhands-movie-poster-1990-1020280845.jpg

Figure 2: http://fogsmoviereviews.files.wordpress.com/2012/05/edward_scissorhands_hill.png

Figure 3: http://www.radiotimes.com/film/rv9n/edward-scissorhands

Figure 4: https://marciokenobi.files.wordpress.com/2012/12/edward-scissorhands-2.jpg

Bibliography

Roger Ebert (1990): http://www.rogerebert.com/reviews/edward-scissorhands-1990

A Jones (1990): http://www.radiotimes.com/film/rv9n/edward-scissorhands

Guardian (1990): http://www.theguardian.com/film/2010/oct/21/edward-scissorhands-burton-fantasy


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DVD Cover


Film Review: "Nicolas Winding Refn" Only God Forgives (2013)


Figure 1: Movie poster for only god forgives 

"Nicolas Winding Refn" has truly out done himself in this brutal tale of a man who questions his morality and judgement of what is right and wrong. The films narrative is completely visually driven an could be a disaster if it wasn't such a visually stunning film. There is very little dialogue throughout the movie and when there is its very minimal especially from the lead character "Julian" (Ryan Gosling).

 

Figure 2: still shot from "Only God Forgives" showcasing its use of lighting

After watching this film the main thing you will walk away with thinking about apart from the hideous violence, is how well this film was produced from the acting, the production design and also the lighting. Peter Bradshaw also comments and hailed the film for these purposes aswell saying "Refn's direction, Larry Smith's cinematography and Beth Mickle's production design are all superb. TheDisturbing tracking shots down infernal corridors brought to mind Travis Bickle's final descent in Scorsese's Taxi driver."(Bradshaw, Gaurdian 2013). Bradshaw really is right to compare these two together as the cinematography is a true master piece.


Figure 3: Still shot of "Julian" (Ryan Gosling) 

Through out the film it is extremely hard to work whats real and what could just be an interpretation of Julians mind as there are many scenes in the mind of of Julian with the usage of the first person view point when Julian looks at his hands. Damon Wise a critique for Empire magazine also shares the same views by stating "the Angel is summoned from Julian’s warped subconscious as he deals with the fallout from his dysfunctional and psychopathic family. How much is real is never made clear." (D Wise, Empire, 2013). This statement really does justice to the films hidden messages as your cant quiet tell if the police office "Chang" (Vithaya Pansringarm) is real or if he's actually human as you begin to get a feeling he's super natural as he can pull out a sword from his back when through the shots in the film there is no sword there, he is also way to quick, agile and strong for a man of his age. He is able to beat Julian (Ryan Gosling) who is in allot better fighting condition.


Figure 4: shot of gosling looking remorse in th eblue light after discovering his brother raped and killed a 16 year old girl.

Once film has finished and the credits start to roll as you are still left wondering if "Chang" was real has he ends film film in the karaoke bar you are left with a strange feeling wondering if you liked the film. Many people will have the same views of liking the cinematography that makes the film but not the narrative story or the characters in the film. Robbie Collin also agrees and states "Do I love the film? No. But I love it that Winding Refn has made it." (R Collin, The Times,2013). 


Illustration List

Figure 1: http://upload.wikimedia.org/wikipedia/en/c/ce/Only_God_Forgives_poster.jpg

Figure 2: http://htmlgiant.com/wp-content/uploads/2013/08/Only-God-Forgives-Krystal.png

Figure 3: http://cdn2-b.examiner.com/sites/default/files/styles/image_content_width/hash/94/14/1375055194_8410_13.jpg?itok=yp6eemKQ

Figure 4:https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtzEZKXk4N7E_6GbBI4QM7ZfB9awdMolTzDSq2IHpK_NVp8YZq1_CTRLqXZFBmnOBMoh99-s6YzAychE2ptKaoR5Ol0XGqYiGzg0ls9Ph3E2kuGMe79nR5gtyrvQfxwfyjyTiWCGFy7vl-/s1600/ryan-gosling-only-god-forgives.jpg

Bibliography

Peter Bradshaw, Gaurdian, 2013: http://www.theguardian.com/film/2013/aug/01/only-god-forgives-review

Damon Wise, Empire, 2013: http://www.empireonline.com/reviews/reviewcomplete.asp?FID=137633

Robbie Collin, The Times, 2013: http://www.telegraph.co.uk/culture/film/filmreviews/10073237/Only-God-Forgives-review.html